Victoria Jelinek


Le Scaphandre et le Papillon (The Diving Bell and the Butterfly)

In December 1995 Jean-Dominique Bauby, Editor-in-Chief of French magazine Elle, suffered a massive stroke and became the victim of “Locked-in Syndrome.” Unable to move anything other than his left eyelid, he collaborated with book editor Claude Mendibil on his memoir, dictating by blinking his left eye. He died two days after the book was published.

This film is unique proof that personal tragedies really can inspire. It’s nearly impossible to imagine the will power it took for Bauby to dictate his memoir literally blink-by-blink. The result is a gloriously wry description of his inner world. Equally wonderful is how Director Julian Schnabel (Before Night Falls) realises this film. Much of it’s shot through the perspective of the left eye of bedridden Bauby, though we sometimes see external shots of Bauby with his family and friends, as well as memory sequences of Bauby pre-stroke. Through voice-over we hear the words that are in Bauby’s mind but which never pass through his lips.

This film, like its subject, is brave. We leave it full of admiration for Bauby’s mental vivacity (the ‘butterfly’) and his physical limitations (the ‘diving bell’), as well as some understanding of what it means to be alive.



The Town
October 17, 2010, 3:19 pm
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After a heist, professional thief Doug MacRay (Ben Affleck) keeps an eye on bank manager Claire, the only witness who could identify MacRay’s gang.  The couple fall in love with each other, and as FBI agent Jon Hamm (Mad Men) closes in on him, McCray begins to question the life he’s been leading.

This is Affleck’s second directorial feature after the critically acclaimed Gone Baby Gone. The themes aren’t particularly original – bad guys wanting to change their ways, kidnapper getting involved with his hostage, a neighbourhood ruled by a criminal fraternity – but Affleck has a feel for the one-square mile district in Boston that accounts for 300 robberies a year and where even children can spot undercover cops.

The film jumpstarts with a slick, well-practiced robbery, but none of the action is overblown, and while the fights are brutal, they’re also always believable. This is a fantastic crime thriller and drama, with pitch-perfect performances, that serves as confirmation of Affleck’s ability as a director.



Cabaret

The story takes place in 1920’s Berlin. After having a fling with a British writer, American chanteuse Sally Bowles tries to create a career as a gold-digger, making overtures to a handsome aristocrat, while the Nazi rise to power puts dampers on their swinging lifestyle.

Based on English author Christopher Isherwood’s autobiography Berlin Stories, the book opens with the lines “I am a camera with its shutter open.” These lines signify a snapshot of a lost world, the cosmopolitan Berlin of the 20’s and 30’s, where cheerful expats dance and revel, whirling faster and faster in the hope that it will save them from the rise of the Nazis. In the film, Isherwood’s character, the audacious and tragic Sally Bowles (Liza Minnelli), takes centre stage.

Liza Minnelli, whose later work included Arthur, is great in this role and looks fabulous in her 20’s fashions.  Director Bob Fosse’s (Chicago, Lenny) choreography and camera work is dazzling. This film holds up as a great musical that’s exceedingly enjoyable even as it’s also sometimes chilling. Released in 1972, the film won eight Academy Awards.



A Prophet (Un prophète)
October 1, 2010, 11:52 am
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Imprisoned for six years for an unspecified crime, illiterate French-Arab teen Malik (Tahar Rahim) is initiated into the prison’s criminal underworld. A ‘quick study’, he soon plots his ascendancy through the extremely brutal hierarchy of his fellow inmates.

Perceived as a greasy Corsican by the Arab inmates and a dirty Arab by the Corsican criminals, Malik is our guide through the violent and nightmarish labyrinth of the French penal system and its network of warring tribes. Lead actor Rahim gives a masterful performance, conveying different parts of his character – from keen student to wary tough guy – in the shift of his brow. Malik as our ‘hero’ is an empathetic character whose choices, or lack of choices, are understandable, even if they’re not relatable.

This is an excellent, albeit disturbing, film – director Jacques Audiard has created a modern French crime film and a gritty prison drama that’s ambitious and thrilling.



Grenoble
September 27, 2010, 8:59 am
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A gorgeous autumn day – 20c, 70f – a drive in a southeasterly direction through green fields, grand mountains, classical French farmhouses with red roofs, concrete walks, flat-fronts and long shutter windows. As we get nearer to Grenoble, the “Capital of the Alps,” there are the intermittent Roman ruins one can see in the hills and scattered across the countryside.

The city, itself, is lovely – reminiscent of Paris, Madrid, or any continental city with its winding cobblestone streets that seem like a labyrinth. Friendlier though, and artistic in ‘vibe.’ Less dirty. Large, pedestrians-only areas full of small shops selling everything from stationary to hardware to accessories. Too many shoe stores and tobacco sellers to count. Many little coffee shops and restaurants with lots of outdoor seating.  Peppered steak and frites at a bistro that promptly closes at 2pm. Bars with people standing out front smoking and having small beers. Hidden little squares and parks with fountains. A river runs down one side of the city. Flat-fronted buildings with small turrets and gardens atop them, small terraces and long, shuttered windows on the river. Above are gondolas going into the Alps that border the city and that look like little balls (and are, in fact, called balls in French). A Roman castle sits overlooking the center of town, evidence of  the passing of time.



Los Angeles
September 16, 2010, 12:39 pm
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A sense of liberty, beauty, light and sordidness. Dusty hills. Pine trees. Palm trees that one never tires looking at because they’re usually on a beach and yet here they are in a functioning city. The smell of skunk. Stucco houses. Craftsman houses. Pseudo-Roman-pillared mansions. Yellow, pink, white, turquoise colors. Art deco buildings. Signs for Scientology, help and salvation. Murals. Steeples in East LA. Olvera Street and churros. Strip malls. Lounges. Cinemas. Museums. Outdoor Ampitheaters.The sweep of the ocean as one descends on Pico Boulevard. Parks and picnicking Mexican families. Turquoise-colored pools. Broad roads. Super highways and super traffic with Oleander growing profusely, and without encouragement. Helicopters overhead at all hours. Hanging flowers in pink, white and red abound. Cactus, succulents. Coyotes. Street cafes with folks hanging around with notebooks and pens and laptops writing their magnum opus. Great bookstores, upmarket diners in every neighborhood from Los Feliz to Larchmont to Santa Monica and Venice. Sunset Boulevard’s music stores and drinking joints. Headshots, six-minute conversations. Hummers, Range Rovers and BMW’s. Desolate, spacious and clean underground system. Sparkling buildings downtown. A gorgeous main train station that conjures up the Silver Screen Era. Dirty, crazy, hippie, colourful, violent Venice Beach bordering more upscale Santa Monica and its pristinely clean sidewalks. The arid canyons, coastline and Tahitian vegetation of Malibu. Chinatown, Koreatown, Little Rumania. The best Mexican from fine dining to under tents in parking lots, seated at benches. Warm nights. Valet parking. Manicure and pedicure shops everywhere.



Tamara Drewe
September 14, 2010, 4:30 pm
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A young newspaper columnist returns to her hometown in the English countryside, where her childhood home is being prepared for sale, and causes a stir with her flirtatious ways.

Tamara Drewe is based on Posy Simmonds’ comic strip, which was inspired by Thomas Hardy’s book Far from the Madding Crowd, and ran in The Guardian from 2005-2007 before being collected into a graphic novel. And this was a pure graphic novel in the sense that the text, which gently satirizes the English middle class, was given equal footing with Simmonds’ illustrations.

Director Stephen Frears’ (The Queen, High Fidelity) film is fond of its characters even as it pokes fun of them (“takes the piss”) and is immensely humorous – you leave the cinema with a smile. This is also an excellent showcase for Gemma Arterton (Quantum of Solace, St. Trinian’s 1 & 2), who shows us that not only does she have poise, she can act. (Certificate 15)



Seattle, WA
September 13, 2010, 12:17 pm
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Maritime. Navigating water and hills to find your way along winding roads between neighborhoods that sit atop hills or at their base, called Queen Anne, Capitol Hill, Belltown, Madison Park, Ravenna, the U District, Fremont, Phinney Ridge…boats, barges, ferries, sailboats, sea planes over head, draw bridges, the smell of the sea. The homeless fishing off of the piers for their food. Crisp, wet air. Oak trees, fir trees, wet asphalt. Skies an oppressive, low-hanging grey for most of the year, erupting in a veritable Garden of Eden for the summer. Families, animals, water, parks. Native American names on suburbs and Chief Seattle. Hip cafes, restaurants, barber shops and music shops. Recycling everywhere. Cooperative food markets. Earnest, well-meaning people with hippie delusions even as they are living the lives of Yuppies. Political correctness that often borders on fascism. Amazing beer and coffee. Great Japanese and Thai restaurants. Fine dining meaning that you wear your good fleece out for dinner. Rules abound for swimming, kayaking, canoeing in the various lakes. Live music in small and large revues. The best outdoor store in the world with a climbing wall and lifetime guarantee on its products. A huge pink elephant on Denny Street. Hanging underground gardens. The space needle slowing rotating.



New York City, NY
September 11, 2010, 11:51 am
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Being able on a Monday night to hear a Japanese band do Hawaiian surf music on Houston at 2am, just after watching an amazing Blue Grass band in Alphabet City while drinking Dixie beer. Anonymity giving you freedom. Every color and kind of person. Noise. Sirens. Yellow cabs, buses. Long cross-town blocks. Every street looking like it could be a set for a film. The smell of urine in the subway in the summer. Insects you never see biting ones ankles in the heat. Amazing pizza – even when the pizza is mediocre, it’s still pretty good. Bagels and coffee from corner carts in midtown that hit the spot. High glass buildings and so much concrete. Chinese delivery in the wee hours of the night. Huge, low moons that lie close to the tops of the buildings. Bridges and rivers. Busy sounds and dirty sidewalks in Chinatown with perpetual traffic down Canal Street. Emptiness and quiet in Lower Manhattan on the weekends. Hipster bars and restaurants in Little Italy and the Lower East Side. Basketball in any of the city parks that are everywhere. Huge museums with the best collections. Shopping, commerce and convenience of any kind imaginable. The smell of rotting fruit and damp in the city grocery stores. Parades seemingly every other month with cops and paddy wagons on every corner for 50 blocks. Neighborhood garden plots. Pirate radio. High fashion. Superstars decked out in casual NYC attire and tennis shoes. Strip joints where the girls wipe down the pole with a paper towel and the servers bring you watered down all-you-can-drink well drinks. Corner stores open all night with flowers of every kind on sale. Hardware stores open 24 hours a day. Pure energy that makes you want to wander the city for days simply looking and feeling.



Tulum, Yucatan, MX
September 10, 2010, 10:30 am
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When I stepped off of the plane in Cancun, the air felt heavy and hot. I remember that that as the little plane opened up directly onto the tarmac, that my husband and I stopped at the top of the stairs of the plane, took a quick look around, and smiled widely at eachother. The pervasive colors were the pale blue of the sky, taupe for the earth, green and pink of the succulents and flowers.

After taking a bus just outside the little airport to a rental car company, we were given a newly manufactured VW bug in the old style of the 1960’s VW bugs – it was light grey with a white interior. We buzzed noisily down the highway towards the place deeper on the Yucatan peninsula, Tulum, where my friends from New York had bought land and were building a house.

Our little wooden shack nearby was on stilts about 20 meters from the ocean, which was a luminescent turquoise color – so clear and so blue that it looked unreal. The shack had a lovely wooden bathroom with a strong shower, and a bed with a mosquito net over it, a bureau, a few hooks, and nothing else. There was a little deck outside this main room, with two rocking chairs to sit in the shade and while the days away, looking at the dense foliage of palms, the aqua-colored ocean, and the white, white sand of the beach, which we did many a morning and evening. The mosquito net proved rather useless, my husband having counted 43 bites on my body after we’d been in Tulum two days. I tried not to get too freaked out about whether it had, in fact, been mosquitoes that had bitten me, when we marveled at all the strange and multi-colored instincts everywhere each day.

We snorkeled along the coral reef just slightly out from where the waves broke, and took walks along the sandy beach, careful not to step on the hundreds of little ‘Tortugas,’ hatching in the sand and making their way, against the slapping of the waves that would fling their little bodies back to shore. We considered that Cuba was a mere 35 km away and how great it’d be to visit there together, too.

We’d read old newspapers, and eat fruit from the little store across from our shack. In the evening, we’d swim with the setting sun, making love in the shallow water, careful not to leave the beach when the sun went down because it would get so dark you couldn’t even see where the break in the trees were.

Every night was spent in the cheerful little café near our shack that had open walls, rather than windows. The Argentinean man who owned the ‘resort’ with his wife, who had been a school ‘principal’ and therefore was feared by all the local police, was a dashing older gentleman who wore a fedora most of the time and drove an old British Land Rover. He’d sing in the evening, and encourage us to drink a lot. On our host’s birthday, they’d cooked a pig in the traditional Mayan way – deep in the earth for days – and we ate, drank, sang and danced, my husband and I wandering away at some point in the evening to dance under the stars on the dirt road, still within ear shot of our party’s gathering.

Because of my husband’s inability to be still, we did wander into the local village, buying toothpaste and other luxury items at a little bodega, looking at the garish multi-colored clothes, and happened upon a local soccer game one day in the central square, where we drank beer and sat on the grass to watch it, walking down the quiet dirt road home that evening, happy and exhausted. Another day we travelled in our little VW bug to Chichen Itza – a local Mayan ruin –arriving early in the morning to have the place to ourselves – it was so quiet and beautiful. When we were leaving, tourists with sun visors, white tennis shoes and cameras were arriving and noisily talking. We hiked down the rocks to the shores nearby and swam in the water, falling asleep directly on the sand afterwards.