Victoria Jelinek


Mother Night

indexWe are what we pretend to be, so we must be careful about what we pretend to be. Kurt Vonnegut

I’ve been re reading Kurt Vonnegut’s “Cat’s Cradle” and “Mother Night” to contend with the global absurdity of the world and the need for humour…just ordered his book “A Man Without Country,” which I’ve never read before…

As is expected with Vonnegut, “Mother Night” is an acute observation of the spectacle and hypocrisy of human behavior and society…it’s darkly humorous and irreverent.

A few quotes from “Mother Night” that I’ve found especially interesting/resonant:

“All people are insane,” he said. They will do anything at any time, and God help anybody who looks for reasons.”

“The people she saw as succeeding in a brave new world were, after all, being rewarded as specialists in slavery, destruction, and death. I don’t consider people who work in those fields successful.”

(Regarding how Armistice Day changed to Veteran’s Day in the USA) “oh, it’s just so damn cheap, so damn typical,” I said. “This used to be a day in honor of the dead of World War One, but the living couldn’t keep their grubby hands off of it, wanted the glory of the dead for themselves. So typical, so typical. Any time anything of real dignity appears in this country, it’s torn to shreds and thrown to the mob.”

“I had hoped, as a broadcaster, to be merely ludicrous, but this is a hard world to be ludicrous in, with so many human beings so reluctant to laugh, so incapable of thought, so eager to believe and snarl and hate.”

If there is another life after this one, I would like very much, in the next one, to be the sort of person of whom it could truly be said, “Forgive him – he knows not what he does.”
This cannot be said of me now.
The only advantage to me of knowing the difference between right and wrong, as nearly as I can tell, is that I can sometimes laugh when the Eichmanns can see nothing funny.



The Monuments Men

monuments_menAt the end of WWII, Frank Stokes (George Clooney) puts together a crew of art experts willing to brave the front lines in order to rescue continental Europe’s cultural heritage from the Nazi’s obliteration of the pieces, and the Soviets pillaging of them.

I unabashedly like George Clooney, who also directed and co wrote this film. I know he’s arguably “too earnest,” and a bit “too slick,” but I don’t care – I appreciate his efforts. That said, this latest endeavor was disappointing. It’s a handsome film, and the concept is great – art geeks braving the ruthlessness of war to do the right thing and save our collective treasures. But the film is not focused, making the pieces incoherent and episodic. It wants to be an important film, asking (repeatedly) whether a work of art is worth a human life. It also seems to want to be like the daring Nazi-bashing escapades of yore, with its whistling score. It also seems reminiscent of a Danny Ocean orchestrated heist. Not one of these objectives is successfully accomplished, though, due to a poorly constructed story that does not have one unifying’ job’ that brings all the seams together. It’s a shame, too, ‘cause the idea has potential, there are several excellent scenes, and the cast is talented…