Victoria Jelinek

This Means War (Target)

Two friends, who also happen to be top CIA operatives, wage battle against each other after discovering they’re dating the same woman (played by Reese Witherspoon, Walk the Line, Election, Legally Blonde).

Sounds like light fare that’s slick Hollywood, and it is, but it also has some entertaining bits. This is largely due to Witherspoon. She manages to walk the line between being fortunate enough to date two handsome men and also appear sympathetic to the audience as she embarks on the lonely and disheartening game of dating, which doesn’t come naturally to her.

That said, this film is not worth the price of a cinema ticket, even as it is worth renting on DVD because it’s easy and pretty. The subplot about a “bad guy” out to get the two CIA operatives as revenge, is gratuitous and concludes abruptly. The romance between the three primary characters is too expedient and easy, as are their feelings of love. The comic relief of the film, Witherspoon’s bawdy confidante, is overdone, though she has her moments. And one can’t help but wonder how these two men became so powerful within their organisation when they are so indiscreet and blatantly misuse their company’s resources. Ultimately, this film has explosions, the smashing up of things, romance, and gorgeous clothes and shoes, suggesting that the filmmakers created a script based on the assumptions about what men and woman want in a movie. They almost got it right in terms of the acting and the concept, but they couldn’t hide the fact that the plot is thin, the circumstances and events too unbelievable (even for those most ‘game’ for it in the audience), and the dialogue is often too embarrassing to listen to, much less funny.

Book to films: Dangerous Liaisons & Cruel Intentions…

Because the characters in Pierre Choderlos de Laclos’ novel Les Liaisons Dangereuses (Dangerous Liaisons) are very French and not ‘august’, I’ve chosen to profile two very different film adaptations from this book for this month. The author, Choderlos de Laclos, was a Brigadier General in Napoleon’s army. His novel was condemned as ‘revolting immortality’ when it was first published in Paris in 1782, but that didn’t stop it from being voraciously read over the next two hundred years!

DANGEROUS LIAISONS (Les Liaisons Dangereuses)

Vicomte de Valmont (John Malkovich) and the Marquise de Merteille (Glenn Close) enjoy a close, although not sexual, relationship based on desire and disdain. They are perpetually trying to outdo each other in their morally reprehensible acts, which generally involve the deflowering of young socialites. When she asks him to seduce Cecile to humiliate her prospective husband (the Marquises’ ex), he initially refuses because he’s trying to bed the highly moralled Mme de Tourvel (Michelle Pfeiffer) just for fun. When Valmont locks horns with Cecile’s protective mother, he decides that bedding her, in defiance of the mother, may be a good idea after all. Meanwhile, the ‘bet’ between the Marquise and Valmont is that he cannot bed Mme de Tourvel, and if he does, he must provide written proof and then he will actually get to sleep with the Marquise.

The film could so easily have fallen apart due the sheer ludicrousness of the plot, but the wonderful acting by the leads, Close, Malkovich and Pfeiffer, makes the story not only possible, but plausible; they’re operating on the idea that everybody concerned is absolutely mad as only the fabulously wealthy can be. This is a devilishly seductive black comedy.


Kathryn (Sarah Michelle Gellar) and Sebastian Valmont (Ryan Phillippe) are amoral step–siblings in modern day Manhattan. Both of them spend their time shagging around the Upper East Side, but Kathryn has a great reputation among the upper-class society they are both a part of, whereas Sebastian is a notorious sleaze.  In an effort to satisfy their lust for each other, Kathryn bets Sebastian that he can’t bed the virginal Annette (Reese Witherspoon), the headmaster’s daughter at their posh school, who has sworn celibacy before marriage. If Sebastian fails to bed Annette, then Kathryn gets his vintage Jaguar. If he succeeds, he gets Kathryn for the night.

Cue saucy shenanigans and a subplot regarding defrocking the innocent pawn Cecile as revenge for Kathryn’s being dumped by Cecille’s current boyfriend. As added vengeance, Kathryn also sleeps with Cecile’s ‘true love’ even as she tells Cecile that she is helping them to get together away from the vigilante eye of Cecile’s overbearing mother.

With its over-the-top performances and preposterous climactic ‘tragedy’, this is the kind of movie purists dismiss as a mockery of both the original film ‘The Dangerous Liaisons’ and of the book. However, if you don’t focus on the roots that it has shamelessly mangled, this film is a lot of fun that will entertain you.