Victoria Jelinek


Eternal Sunshine of the Spotless Mind

Eternal SunshineI recently read an article in Aeon Magazine, which investigates the scientific possibilities and implications of purging one’s “bad” memories.* Haunted by news stories and terrible images during this pandemic, and as a teacher to too many troubled adolescents, I find my opinion is conflicted: memories construct who we are, for-better- or-for-worse, but there are such horrible things that happen…

Hungry for more insight into the subject (and a film buff) I decided to re-watch the 2004 film Eternal Sunshine of the Spotless Mind. In it, introvert Joel Barish (Jim Carrey) meets outgoing Clementine (Kate Winslet) and they start a tumultuous relationship. Then one day, Clementine doesn’t recognize Joel and he finds out that she had all of her memories of him removed. Angry and hurt, Joel decides to undergo the same procedure, but in the process of it he finds that he has second thoughts.

Screenwriter Charlie Kaufman is ingenious. His films Being John Malkovich and Adaptation are also high concept ideas that explore neurosis and the possibilities of the mind scientifically and perceptually. The movie begins slowly, as we experience the confusion Joel feels because his girlfriend suddenly doesn’t know him, with him. However, once Joel discovers she has had her memories of him wiped out and decides to have the same procedure done on himself, the bulk of the action takes place over one night in his rapidly disintegrating memory. When Joel’s subconscious decides that the procedure is a bad idea and he enlists the ‘memory’ of Clementine to help him escape, the film moves at a rapid pace. Here, director Michel Gondry showcases true visual verve (and most of the effects are created in camera!) as we delve into repressed memories, teenage humiliation, and childhood helplessness. But then a miracle happens — just as Joel’s situation seems most hopeless, the tone of the film becomes more hopeful. We travel through Joel’s mind back to those initial, profoundly romantic first days with Clementine, and we are able to view both the beginning and the end of a relationship at the exact same time. It’s poignant and beautiful. At this moment, Kaufman’s objective comes into sharp focus, and we, the viewer, are left to ponder what we’ve just seen, and to consider whether we would, indeed, purge our minds of painful memories if given the chance. Eternal Sunshine of the Spotless Mind is a relevant and weird and wonderful film with genuine heart and a thoughtful mind.

*Aeon Magazine, Aug. 1, 2016, Would You Purge Bad Memories From Your Brain If you Could by Lauren Gravitz. https://aeon.co/essays/would-you-purge-bad-memories-from-your-brain-if-you-could



Eternal Sunshine of the Spotless Mind

eternal-sunshine-of-the-spotless-mind-posterI recently read an article in Aeon Magazine, which investigates the scientific possibilities and implications of purging one’s “bad” memories. * Haunted by news stories and images of traumatized children in the Middle East, and as a teacher to troubled adolescents, I find my opinion is conflicted: memories construct who we are, for-better-or-for-worse, but there are such horrible things that happen…Hungry for more insight into the subject (and a film buff) I decided to re-watch the 2004 film Eternal Sunshine of the Spotless Mind. In it, introvert Joel Barish (Jim Carrey) meets outgoing Clementine (Kate Winslet) and they start a tumultuous relationship. Then one day, Clementine doesn’t recognize Joel and he finds out that she had all of her memories of him removed. Angry and hurt, Joel decides to undergo the same procedure, but in the process of it he finds that he has second thoughts.

Screenwriter Charlie Kaufman is ingenious. His films Being John Malkovich and Adaptation are also high concept ideas that explore neurosis and the possibilities of the mind scientifically and perceptually. The movie begins slowly, as we experience the confusion Joel feels because his girlfriend suddenly doesn’t know him, with him. However, once Joel discovers she has had her memories of him wiped out and decides to have the same procedure done on himself, the bulk of the action takes place over one night in his rapidly disintegrating memory. When Joel’s subconscious decides that the procedure is a bad idea and he enlists the ‘memory’ of Clementine to help him escape, the film moves at a rapid pace. Here, director Michel Gondry showcases true visual verve (and most of the effects are created in camera!) as we delve into repressed memories, teenage humiliation, and childhood helplessness. But then a miracle happens — just as Joel’s situation seems most hopeless, the tone of the film becomes more hopeful. We travel through Joel’s mind back to those initial, profoundly romantic first days with Clementine, and we are able to view both the beginning and the end of a relationship at the exact same time. It’s poignant and beautiful. At this moment, Kaufman’s objective comes into sharp focus, and we, the viewer, are left to ponder what we’ve just seen, and to consider whether we would, indeed, purge our minds of painful memories if given the chance. Eternal Sunshine of the Spotless Mind is a relevant and weird and wonderful film with genuine heart and a thoughtful mind.

*Aeon Magazine, Aug. 1, 2016, Would You Purge Bad Memories From Your Brain If you Could by Lauren Gravitz. https://aeon.co/essays/would-you-purge-bad-memories-from-your-brain-if-you-could



I Love You Phillip Morris
February 10, 2010, 3:13 pm
Filed under: Published film reviews | Tags: , , ,

Steven Russell (Jim Carrey) is happily married and a member of a local police force when a car accident causes him to reassess his life. Steven realises he’s gay and decides to live life flagrantly, even breaking the law if it gets him what he wants. When he’s jailed for fraud, he falls in love with inmate Phillip Morris (Ewan McGregor). His obsession with freeing Phillip and their building a perfect life together, prompts Steven to attempt, and often succeed at one impossible con after another.

For those of us who find Carrey often ‘too-too’, this is a stunning turn for him as an actor, a dream role that combines his old-school comedic tricks with an emotional honesty that feels genuine and earned. Directed by the writers of Bad Santa (John Requa and Glenn Ficarra), this is one of the blackest and funniest comedies of the year.