Victoria Jelinek


37°2 le matin: Version Integral (Betty Blue: Director’s Cut)

Zorg, a handyman, is living a peaceful life in rural France, working diligently and writing in his spare time. Then Betty, a vivacious and unpredictable woman, walks into his life. Initially, her wild ways are fun and spontaneous and Zorg falls in love with her, but Betty’s behavior slowly gets out of control as she spirals into insanity.

indexThe film opens on a shot that creeps up on a couple making love on a bed – their sweating intimacy is contrasted by a voiceover telling us that they’ve only known each other a week. Every moment of Jean-Jacques Beineix’s film carries the seal of its country of origin as well as the era in which it was made. Only in the 1980’s could such a tragic film be created with such a visually-gorgeous-but-empty style. Only in France could a story of passionate love open so erotically. Only in France could a film’s tone be misogynist, seeming to blame Betty’s insanity on the inherent ‘madness’ of the female of the species, and yet seem authentic.

Betty’s descent into insanity and destruction is well paced and compelling. Beatrice Dalle (Betty) didn’t make another film worth noting again, but this film alone was enough to make her an icon of late 20th century cinema – this fact, as well as the insight into the French psyche this film gives the viewer, makes this film one to see even years after it was first released.

 



Jack Goes Boating

(Rendez-vous l’été prochain)

indexA limo driver’s blind date ignites a humorous and poignant tale of love, friendship and betrayal focused around two working-class New York City couples.

Jack (the late, great, Philip Seymour Hoffman) is a limo driver with vague hopes of getting a job with the Metropolitan Transit Authority (MTA). He has an obsession for reggae that has inspired him to attempt to grow his hair into dreadlocks, and he spends most of his time hanging out with his best friend and fellow driver Clyde and Clyde’s wife, Lucy. Clyde and Lucy introduce him to Connie and they like each other. Being with Connie inspires Jack to learn to cook, to take swimming lessons in order to take Connie on a romantic boat ride, and to pursue a new career. Meanwhile, Lucy and Clyde’s marriage begins to disintegrate.

Hoffman’s directorial debut is a very independently spirited and produced film. Hoffman made a career doing interesting, indie films such as Magnolia, Boogie Nights, Capote, and The Boat That Rocked, among many others. During his career, he was the Artistic Director for an off-Broadway theatre company in NYC for ten years, which is where this play originated. In putting together this film, he gathered around him wonderful talent, both on-screen and off-screen, from both the theatrical and the cinematic world, both independently financed and studio financed. And, the result is a small, gently paced, gem of a film, perfect viewing during our days of confinement.

 

 



Eternal Sunshine of the Spotless Mind

Eternal SunshineI recently read an article in Aeon Magazine, which investigates the scientific possibilities and implications of purging one’s “bad” memories.* Haunted by news stories and terrible images during this pandemic, and as a teacher to too many troubled adolescents, I find my opinion is conflicted: memories construct who we are, for-better- or-for-worse, but there are such horrible things that happen…

Hungry for more insight into the subject (and a film buff) I decided to re-watch the 2004 film Eternal Sunshine of the Spotless Mind. In it, introvert Joel Barish (Jim Carrey) meets outgoing Clementine (Kate Winslet) and they start a tumultuous relationship. Then one day, Clementine doesn’t recognize Joel and he finds out that she had all of her memories of him removed. Angry and hurt, Joel decides to undergo the same procedure, but in the process of it he finds that he has second thoughts.

Screenwriter Charlie Kaufman is ingenious. His films Being John Malkovich and Adaptation are also high concept ideas that explore neurosis and the possibilities of the mind scientifically and perceptually. The movie begins slowly, as we experience the confusion Joel feels because his girlfriend suddenly doesn’t know him, with him. However, once Joel discovers she has had her memories of him wiped out and decides to have the same procedure done on himself, the bulk of the action takes place over one night in his rapidly disintegrating memory. When Joel’s subconscious decides that the procedure is a bad idea and he enlists the ‘memory’ of Clementine to help him escape, the film moves at a rapid pace. Here, director Michel Gondry showcases true visual verve (and most of the effects are created in camera!) as we delve into repressed memories, teenage humiliation, and childhood helplessness. But then a miracle happens — just as Joel’s situation seems most hopeless, the tone of the film becomes more hopeful. We travel through Joel’s mind back to those initial, profoundly romantic first days with Clementine, and we are able to view both the beginning and the end of a relationship at the exact same time. It’s poignant and beautiful. At this moment, Kaufman’s objective comes into sharp focus, and we, the viewer, are left to ponder what we’ve just seen, and to consider whether we would, indeed, purge our minds of painful memories if given the chance. Eternal Sunshine of the Spotless Mind is a relevant and weird and wonderful film with genuine heart and a thoughtful mind.

*Aeon Magazine, Aug. 1, 2016, Would You Purge Bad Memories From Your Brain If you Could by Lauren Gravitz. https://aeon.co/essays/would-you-purge-bad-memories-from-your-brain-if-you-could



A Serious Man
April 16, 2020, 7:49 am
Filed under: Film reviews | Tags: , , , , , , , , ,

A potential film to watch while in confinement…

A Serious Man posterDid you like The Big Lebowski? Fargo? Raising Arizona? Oh Brother Where Art Thou? No Country for Old Men? Then you should watch A SERIOUS MAN by The Coen Brothers if you haven’t watched it already.

The setting is 1967 Americana suburbia: Larry Gopnik’s (Michael Stuhlbarg) life is beginning to unravel -his wife wants a divorce because his incompetent brother is sleeping on the couch and his son owes the school bully $20 for a bag of marijuana – and he just wants to know how it all went wrong and what he can do about it.

The Coen Brothers have made some great films and this one is marvellous – a suburban dysfunctional family drama meets metaphysical mystery that stands out as their most human and relatable film yet.



XXI: Book Club

“My idea of good company is the company of clever, well-informed people who have a great deal of conversation.” Jane Austen

Geen-Tea-2I went to ‘Book Club’ this evening. Was loath to go after last night out at two bars with all the drinking, smoking and haphazard talk. Have been ‘twitchy’ and irritable all day as a result. My poor family. Self-recrimination ‘cause I’d had one drink more than my ration. Which was already really hard, given that we were out for hours. Self-recrimination ‘cause I’d been visibly irritated and uncomfortable with the drinking and smoking around me, and that’s not nice for those out to have a good time. Self-recrimination because I should know better than to put myself in the line of temptation. And yet. I didn’t want to get out of bed this morning. I’ve been near-to-tears all day. And, well, ‘Book Club’ is normally a large group of women in what is essentially a ‘book swap,’* drinking a lot of wine and chattering.

So I went late. And, I went only ‘cause it was a bonafide friend hosting it at her house and I wanted to support her. I brought a thermos of green tea and ginger to drink and in order to keep my hands busy and to keep me drinking SOMETHING while, ostensibly, everyone else drank copious amounts of wine. But it wasn’t like it usually is. For one thing, it was just our host, a dear friend of hers, another American who, while I may not agree with her politics, is an avid reader and I trust her judgment on books, as well as our host’s twelve-year-old daughter who is also a reader, and who makes short stop-action films. They were finishing dinner when I arrived, and the daughter had made a peach cobbler. They also weren’t drinking alcohol, just Perrier, and later, tea, so I didn’t feel tempted or preoccupied with others drinking. Best of all? The conversations were dynamic and interesting. We talked about films, and books we’d recently read, and television programs – both in French and English – and we talked about curricula – both French and American – and we talked about travel, and we talked about exercise ‘fads’ sweeping the globe. It was a good evening. Nothing was discussed in too much depth, as I would generally like to do, but, I am, arguably, too serious.  Ultimately, it was an entertaining evening.

What a happy surprise! There’s a moral here I’m sure. Perhaps it’s that I need to only hang out with people who enjoy talking about subjects I also enjoy talking about? Even if that means I am not as social as I generally like to be. There are several people in the valley whose company I find engaging. Perhaps it’s that I can’t be in bars? I suppose it’s like a junkie going to a shooting gallery. Certainly, I can’t be in them for too long. In my previous homes – Portland, New York, Los Angeles, London – I would have discussed the subjects we discussed this eve, such as literature, film, culture, education (and, ideally, some politics!) every time I met up with friends. However, perhaps in those cities it’s more obvious to find more people and situations in which to do so. I mean, my coterie of friends in each of the aforementioned places were filmmakers, writers, painters, musicians, artists, and conversational skill is highly valued as a source of creativity and collaboration. Moreover, these types of people are generally more expressive. Whereas where I live now, people are outdoorsmen. Mountain people. They like to climb, hike, ski, and maintain their fitness in the outdoors, preferably at altitude. That’s their passion and their focus. Not ‘wrong,’ just not me. While I appreciate the mountains, I am claustrophobic in them, preferring the sea always (“Homme libre, toujours tu chériras la mer”). As a result of both the environment and the community’s subsequent interests in general, I’m often self-conscious, frustrated, and isolated here.

More so now that I’m trying to substantially reduce my drinking, smoking, and drug-taking after 33 years of ‘caning’ it. Additionally, the social life I’ve primarily known here is centered on boozy lunches, afternoons, and dinners…at restaurants and bars…with those that flock to and spend a lot of time in them. However, for whatever reason, tonight I made the happy discovery that while the people and opportunities like this evening might be few-and-far between, there ARE, indeed, situations like tonight. I’ve experienced them here before. Evenings in which I will not spend the entire time ‘clock watching,’ leaning on, or ‘clucking’ for my ‘crutches,’ and can, instead, enjoy what I perceive to be good company. Is this a new direction? It could be. It should be. Is it evidence of a whole new me? Perhaps not. But, perhaps, it is a peek at what the future could be like here, for the remaining years I am here, and that’s a relief from the bleak perspective I’ve been viscerally feeling for the last couple of weeks.

*We don’t read the same book and then talk about it like a traditional “Book Club” does. It’s for Anglophone women to have a supply of reading material without having to buy books, which is a great idea in theory.



A Star is Born
November 3, 2018, 1:09 pm
Filed under: Film reviews | Tags: , , , , , , , , ,

A Star is Born movie posterJackson Maine (Bradley Cooper) is a country music star that falls in love with wannabe singer Ally (Lady Gaga). With his help, her star ascends while his stardom, hindered by long time tinnitus, emotional trauma, and alcoholism, slowly falls.

I found myself haunted after watching this latest version of A Star is Born. I was pensive as a stillness settled over me when I left the cinema, and this film was the first thing I considered when I woke up the next morning. Bradley Cooper’s character is utterly compelling and terribly sad. Despite what his childhood may have been like, the story effectively conveys that his perspective and behavior are the product of mental illness. He can’t help feeling unhappy, insecure, or his being self-destructive because he doesn’t know how to get help, or, indeed, what, exactly, to get help for. He is charming, kind and talented, yet he is also isolated, reactive, and full of self-loathing even as his life contains so much bounty. And he implicitly realizes this type of ungratefulness, which exacerbates his self-hatred. The plot is still a love story, as the other adaptations of this film have been, however, this version stresses the theme of mental illness and its vulnerability more than the theme of ambition and compromise.

A Star is Born (2018) is unequivocally worth seeing. And, it’s evidence of Bradley Cooper’s directorial sensitivity and ‘acting chops’ – he’s not just a pretty boy as he goes hand held and gets up close and personal even when the subject isn’t easy or attractive. Lady Gaga, too, is believable – tender, tough, and charismatic – and absolutely holds her own in the acting arena.



The Pregnancy Diaries – 16

 “A tree’s a tree. How many more do you need to look at?” Ronald Reagan

Watched Terrence Malick’s last film The Tree this week. Malick has taken his time with his films, working on this one for decades. He’s ‘only’ made seven films in a 35-year career, but his films Badlands and Days of Heaven are two of the most beautifully filmed movies of all time and this one is gorgeous, too. It’s lightly existential…a great film to watch when you’re in the mood to consider your life, your family, and the world you live in without delving too deeply into any of it…

That said, the film opens with the loss of one of the sons and the mothers consequent grief. I had a hard time getting through it because I can’t imagine losing a child and the actress’ portrayal of her sorrow was palpable. I kept wondering about my strong opinion that one should watch EVERY film a director one likes makes in order to watch their development and understand their cannon of films in context; maybe this isn’t necessary for me anymore now that I don’t work in film; it certainly doesn’t seem necessary to watch a film about the loss of a child when I’m pregnant.

The film is about three boys growing up in the 1950’s with their mother, a free spirit, and their father, a ‘hard ass’ who is sometimes affectionate (played by Brad Pitt). The story considers the origins and meaning of life, and death, in general and as it pertains to the boys’ lives and experiences. The film premiered in competition at the 2011 Cannes Film Festival, where it won a Palme d’Or, and was met with rave reviews from critics but was actually booed at the screening (a tough reaction particularly as the filmmakers and actors are present). Depending on whom you speak to, the sci-fi meets surrealist themes and imagery were seen as both imaginative and independently minded, or pretentious and boring. I found that the fragmented and non-linear narrative actually is how memories are remembered, and as it’s a story told in the present about the past, this seems appropriate and interesting.  There is an argument for it’s being indulgent and meandering. However, in a world of films that appeal to the lowest common denominator and rely on frenetic images and action, this nicely paced, philosophically light film is refreshing.

But maybe hold off until you’re not pregnant or haven’t just had a child and your hormones aren’t blasting through your body. It’s entirely conceivable that you have a stronger stomach than me, but if not, maybe hold off watching other films that deal with child loss or neglect, too, such as Trainspotting again, or Rabbit Hole.