Filed under: Film reviews | Tags: betrayal, Boogie Nights, Capote, Confinement, Corona virus, Covid-19, drama, Film, films, friendship, independent, Little Miss Sunshine, love, Magnolia, New York, New York City, Philip Seymour Hoffman, The Boat that Rocked
(Rendez-vous l’été prochain)
A limo driver’s blind date ignites a humorous and poignant tale of love, friendship and betrayal focused around two working-class New York City couples.
Jack (the late, great, Philip Seymour Hoffman) is a limo driver with vague hopes of getting a job with the Metropolitan Transit Authority (MTA). He has an obsession for reggae that has inspired him to attempt to grow his hair into dreadlocks, and he spends most of his time hanging out with his best friend and fellow driver Clyde and Clyde’s wife, Lucy. Clyde and Lucy introduce him to Connie and they like each other. Being with Connie inspires Jack to learn to cook, to take swimming lessons in order to take Connie on a romantic boat ride, and to pursue a new career. Meanwhile, Lucy and Clyde’s marriage begins to disintegrate.
Hoffman’s directorial debut is a very independently spirited and produced film. Hoffman made a career doing interesting, indie films such as Magnolia, Boogie Nights, Capote, and The Boat That Rocked, among many others. During his career, he was the Artistic Director for an off-Broadway theatre company in NYC for ten years, which is where this play originated. In putting together this film, he gathered around him wonderful talent, both on-screen and off-screen, from both the theatrical and the cinematic world, both independently financed and studio financed. And, the result is a small, gently paced, gem of a film, perfect viewing during our days of confinement.
Leave a Comment so far
Leave a comment
Victoria Jelinek 