Filed under: Film reviews | Tags: betrayal, Boogie Nights, Capote, Confinement, Corona virus, Covid-19, drama, Film, films, friendship, independent, Little Miss Sunshine, love, Magnolia, New York, New York City, Philip Seymour Hoffman, The Boat that Rocked
(Rendez-vous lâĂ©tĂ© prochain)
A limo driverâs blind date ignites a humorous and poignant tale of love, friendship and betrayal focused around two working-class New York City couples.
Jack (the late, great, Philip Seymour Hoffman) is a limo driver with vague hopes of getting a job with the Metropolitan Transit Authority (MTA). He has an obsession for reggae that has inspired him to attempt to grow his hair into dreadlocks, and he spends most of his time hanging out with his best friend and fellow driver Clyde and Clydeâs wife, Lucy. Clyde and Lucy introduce him to Connie and they like each other. Being with Connie inspires Jack to learn to cook, to take swimming lessons in order to take Connie on a romantic boat ride, and to pursue a new career. Meanwhile, Lucy and Clydeâs marriage begins to disintegrate.
Hoffmanâs directorial debut is a very independently spirited and produced film. Hoffman made a career doing interesting, indie films such as Magnolia, Boogie Nights, Capote, and The Boat That Rocked, among many others. During his career, he was the Artistic Director for an off-Broadway theatre company in NYC for ten years, which is where this play originated. In putting together this film, he gathered around him wonderful talent, both on-screen and off-screen, from both the theatrical and the cinematic world, both independently financed and studio financed. And, the result is a small, gently paced, gem of a film, perfect viewing during our days of confinement.
Filed under: Published film reviews | Tags: Amy Ryan, Bob Glaudini, Daphne Rubin-Vega, John Ortiz, Philip Seymour Hoffman
A limo driverâs blind date ignites a humorous and poignant tale of love, friendship and betrayal focused around two working-class New York City couples.
Jack (Philip Seymour Hoffman) is a limo driver with vague hopes of getting a job with the Metropolitan Transit Authority (MTA). He has an obsession for reggae thatâs inspired him to attempt to grow his hair into dreadlocks, and he spends most of his time hanging out with his best friend and fellow driver Clyde and Clydeâs wife Lucy. Clyde and Lucy introduce him to Connie and they like each other. Being with Connie inspires Jack to learn to cook, to take swimming lessons in order to take Connie on a romantic boat ride, and to pursue a new career. Meanwhile, Lucy and Clydeâs marriage begins to disintegrate.
Hoffmanâs directorial debut is a very independently spirited and produced film. Hoffman has made a career doing interesting, indie films such as Magnolia, Boogie Nights, Capote, and The Boat That Rocked among many others. During this career, heâs also been the Artistic Director for an off-Broadway theatre company in NYC for ten years, which is where this play originates. In putting together this film, he has gathered around him some wonderful talent, both on-screen and off-screen, from both theatrical backgrounds and film backgrounds, both indie and studio financed. This film is a small, gently paced, gem.